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Study 51 · Parts

Showing only the bars it can trust: agreement with a second transcriber helps, and shows too little

Parts

Study Overview

The Idea

A bar is trusted when two readings of the same stem write the same pitches in the same slots. The line on show is the best transcriber setting from Study 49. The readings to agree with were all already on disk: the app's own setting, the same setting with a lower frame threshold and with a shorter minimum note, and pYIN, a different transcriber from Study 48. Each rule is a yes or no per bar with nothing to tune. The trusted bars were then graded against the truth by Study 48's bar grade. Bars the line leaves empty are counted apart so that rests cannot flatter a rule.

Same Model, Little Evidence

Agreeing with the app's own setting shows 79 percent of the bars and they are right 43 percent of the time, against 41 for every bar. Surviving two loosened settings shows 65 percent, right 48 percent of the time. These readings come from one run of one model; when it is wrong they tend to be wrong together.

A Second Reader

Agreement with pYIN is real evidence. The bars it confirms are entirely right 64 percent of the time and wrong 20, against 41 and 41. On Peaceful Dreams it confirms 30 percent of the bars and they are 76 percent right with 3 percent wrong, which would be worth showing. But pYIN's own line is rarely right, so on four songs it confirms between 2 and 20 percent of the bars, and over all six the confirmed bars hold 17 percent of the part's notes. And on Interbellum the thirteen confirmed bars are wrong more often than right: both readers drop the same short notes.

Decision

The registered bar was Study 48's applied to what is shown, at least 70 percent of shown bars right and at most 10 percent wrong, with at least a quarter of the bars shown, on every song. No rule meets it; three rules each meet it on one song. Nothing is recommended. The principle survives: a bar can be confirmed only by something that also gets it right, and nothing the bench has yet reads these bass lines well enough to confirm more than a quarter of them. That gives the last planned study, a different transcriber for bass, two jobs: a better line, or a second reader good enough to agree with.

Table 51.1: Bars shown under each trust rule and how often the shown bars are right, per song

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